Partner, Litstone

Listone

Objects you want to touch

From the mountain that cuts straight into the Aegean, Pelio, we procure river-battered stones that we painstakingly transform into functional art.

ABOUT
Litstone is a lighting and object design studio founded by Ioannis Pappos, specializing in custom-built pieces crafted from Greek stones sourced in Pelio. By blending traditional craftsmanship with sustainable practices, Litstone creates lighting that honors the natural landscape while enhancing modern spaces with artful, enduring pieces.
SCOPE
I joined Ioannis Pappos as a partner in Litstone, a lighting and object design company dedicated to creating custom-built, one-of-a-kind pieces that stand the test of time. From the mountains of Pelio, Greece, where the landscape meets the Aegean Sea, we procure river-battered stones that we painstakingly transform into functional art.

what made me smarter

  • The Importance of Storytelling in Design: Developing Litstone taught me that a meaningful narrative—rooted in both Ioannis' memories and the natural origins of our stones—resonates with clients and adds lasting value to our work.
  • Balancing Tradition with Innovation: Blending traditional craftsmanship with contemporary design taught me how to create pieces that are timeless yet relevant, bridging the gap between art, function, and environmental responsibility.
  • Adaptability in Creative Processes: Working with natural materials and minimizing waste taught me the importance of adaptability in design—finding innovative ways to work with what’s available and transforming challenges into unique design opportunities.

Litstone creates lighting that honors the natural landscape while enhancing modern spaces with artful, enduring designs.

We select each stone with meticulous care, considering its unique texture, shape, and natural character to ensure it aligns with our vision for every piece. This process honors the stone's natural history and distinct beauty, allowing it to seamlessly integrate into our designs while preserving its organic essence.
The individual characteristics of each stone interact with light in unique ways, creating a dynamic appearance that shifts throughout the day—bringing the stone's natural beauty to life in every moment.
Each stone is carefully washed and cleaned, a meticulous process that prepares it for its ultimate transformation—revealing its subtle textural shifts, colors and hidden characteristics.

We craft each Litstone piece with deep respect for its natural formation, employing minimally invasive techniques to honor its origin and preserve its integrity.

The lamp cord and shade stem are carefully introduced to the stone with minimal intervention, ensuring that the integrity of the natural form is preserved. Every effort is made to keep the installation process as delicate as possible, allowing the stone’s unique shape and beauty to remain the focal point. By embracing a minimally invasive approach, we ensure that the lighting element complements rather than competes with the stone, letting its timeless character show.
Each component is carefully selected for its craftsmanship and quality, ensuring it complements the natural beauty of the stone. Introduced with precision and thoughtful consideration, these elements are seamlessly integrated, allowing the stone’s form to remain the focal point while the lighting enhances its inherent elegance.
The contrast between the metal stem and the wrapped cord is intentionally simple, designed to complement rather than compete with the stone. Emerging naturally from the rock, these components blend seamlessly, creating a refined balance that highlights the stone’s unique form. The minimalism of the design ensures the stone remains the focal point while the subtle addition of the lighting elements enhances its beauty.
The scope and scale of our stones vary greatly, offering a Litstone for every conceivable space, whether large or small. Each stone is chosen with intention, allowing clients to play an active role in sourcing the perfect piece to match their vision. This personalized approach ensures that every Litstone is not only a beautiful, unique object but also a meaningful addition to its surroundings. Whether it’s a subtle accent or a bold centerpiece, there's a Litstone suited to every need and space.

Why not use the whole stone - even what we subtract?

I conducted a proof-of-concept study in which I drilled various rocks to produce dust, transforming it into pigment that could be applied to the shade, creating a holistic artistic expression of the stone's essence.

The wide variety of stone sizes and shapes offers a distinct contribution to any surface they occupy, transforming spaces with their natural beauty while adding texture, depth, and a unique visual narrative.

Hephaestus represents the transformative power of artistry and the technical skill required to shape raw materials into functional and beautiful items.

As a partner in Litstone, I joined Ioannis Pappos in shaping a lighting and object design studio that transforms Greek stones from Pelio into objects you want to touch. By blending traditional craftsmanship with sustainable practices, we create one-of-a-kind functional art that honors the natural landscape while enhancing the space they compliment. Each stone is chosen for its unique character and carefully transformed with minimally invasive techniques to preserve its organic essence. This project taught me the power of storytelling in design, where narratives rooted in nature and memory add lasting value. Balancing tradition with innovation, I learned to merge craftsmanship with contemporary design to craft pieces that are timeless, tactile, and deeply engaging. Working with natural materials emphasized adaptability, pushing me to embrace challenges as opportunities for creativity while minimizing waste. The result is a collection of designs that reimagine raw materials into meaningful, enduring objects that connect people to the beauty of the natural world.

LITSTONE

(1)

Prophet

CHOPT Reimagination

the (customer) journey is real

As part of Chopt's store and brand transformation, I led the charge in drawing plans for new locations and designing and modeling physical and brand components for the new restaurant layouts.

ABOUT
I was an instrumental part of a  comprehensive redesign that unified Chopt's brand experience from a digital platform to in-store environments. By aligning the app, packaging, guidelines with physical spaces, I ensured that every customer interaction with the brand was consistent and memorable.
SCOPE
I developed plans and elevations of new location layouts, including customer journey explorations, FFE, and architecture drawings up to CD, drawing the new standard for their expanding franchise. Through consistent reviews with Chopt leadership, I fine-tuned each new location to align with guidelines.

what made me smarter

  • having a better understanding of the customer journey according to mobile or in-person ordering while maximizing circulation efficiency and the customer experience  
  • designing and developing drawings for custom millwork that is in keeping with the overall vibe of the new guidelines package, adjusting the scope per the differences of each new physical location
  • meeting with Chopt leadership to review design packages and glean the nuances of branding in the food service industry and customer expectations

I designed each new Chopt location with a consistent implementation of our exterior and interior guidelines.

The exterior architecture of existing structures was updated to align with the Chopt brand, effectively bringing the interior design out, and the exterior in key elements illustrated to the right that are effective in bringing the interior design out, and the exterior in.
Chopt color palette and exterior materials, including brick, glazed brick, metal, wood and paint.
The primary signage Chopt Letters use a hollow dimensional prototype. This design uses a faux-neon LED strip as the light source.
The Chopt blade sign is used as a secondary form of signage, installed vertically or horizontally as dictated by the site.

For the customer journey, I developed and modeled in detail interior brand elements, from arrival to ordering to paying to dining.

The guest journey varies depending on how they choose to place their order - via the tablet Order Kiosk, mobile pick-up, or traditional line queue.
Framing the entry door inside the restaurant, the entry portal allows guests to settle in before embarking on the journey. The portal is lined with striated light wood panels on the inside. The outside has a white glossy metal finish. Menu Map Holders are hung on one side of the portal.
The Cirque Pendant Light by Clara von Zweigbergk brings a fun and vibrant color to Chopt dining area. The inside is painted matte white to diffuse and reflect the downward light, providing soft and comfortable glare-free illumination.
The casual seating types have light wood frames paired with white wood planks. Blue-green fabric cushions are placed on the seats, and attached to white metal rails with chartreuse nylon straps on the back. The legs have a brushed aluminum base for protection.

From Restaurant spaces:

"With that in mind, CHOPT – with the help of growth and transformational consultant company Prophet — set out to create a digital-first restaurant that prioritized convenience, while maintaining elements of its theatrical assembly line background."

Behind the Line Window, mounted to the tile wall, is the Dressing Board. Painted wood panels fit within the light wood framework that holds the options in place. The colors are consistent with the Chopt brand.
The Acoustic ceiling near the drinks station is intended to keep noise to a minimum in this high traffic area.
The four Destination Salad Posters are the first touchpoint the guest sees upon entering the line. The menu cards are placed directly below the Posters for the guest to take through the queue.
The wood baffle ceiling is suspended just under the ceiling structure roughly 10’ above the dining floor. The baffle helps with acoustics to create a more quiet atmosphere and adds quality to the space.
Additionally, I developed a painted wooden crate ceiling system for a family-oriented dining area. The pallets incorporate the brand palette, and lowers the ceiling height to create a more intimate setting. A custom magnetic chalkboard station features Chopt vegetable stencils for children.
The crate shelving is designed to resemble a custom farm crate in order to bring a natural feel to the Pick-Up area. Display tv's above the window let the customer know when their order is ready.
The Lettuce Header is clearly visible atop the refrigerator showcasing the various types of lettuce available to the customer. The Header is made of black painted GWB, creating a solid contrast to the fresh green lettuce below.

I developed plans and elevations up to Construction Documents level for each new location as Chopt expanded across the east coast.

Each new location for the Chopt franchise presented challenges in consistently implementing all brand strategies within building envelopes. I drew floor plans, reflected ceiling plans, elevations, and FFE schedules for every site.

I played a key role in a comprehensive redesign of Chopt's brand experience, unifying digital platforms and in-store environments to ensure consistent and memorable customer interactions. By aligning the app, packaging, and design guidelines with physical spaces, I established a cohesive brand identity across all touchpoints. My work involved developing plans and elevations for new location layouts, including customer journey explorations, FFE selections, and detailed architecture drawings up to the construction documentation phase. Collaborating closely with Chopt leadership, I tailored each location to meet branding guidelines while adapting to the unique challenges of diverse physical spaces.

This project gave me a deeper understanding of the customer journey, balancing efficiency with a seamless experience for both mobile and in-person ordering. I designed custom millwork and adjusted design elements to suit varying site conditions while maintaining the overall brand aesthetic. From exterior updates that extended interior design elements outward to detailed interior features like menu map holders, acoustic solutions, and playful design elements for family spaces, every detail was carefully considered to enhance the guest experience.

‍Through these efforts, I gained insights into branding in the food service industry, customer expectations, and the nuances of designing for franchise growth. My work emphasized consistency, adaptability, and innovation, helping Chopt create environments that reflect their brand ethos while prioritizing functionality and customer engagement.

Chopt

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CJT Publishing

Elk River LIving

This river tells stories

The Elk River is our home, and our driving force behind ERL was to create a place that reflects the spirit and heart that defines it. There are so many wonderful things happening in our area, and ERL is a platform that shines a light on these stories. In addition to our featured stories, each issue of ERL brings returning segments that define our region, and paint a picture of its rich character and personality.

ABOUT
Founded in 2018, Elk River Living (ERL) magazine is an independently-owned monthly publication in both digital and print, giving a voice to the people and businesses of this region in West Virginia. There is a strong emphasis on cultural contributions and entrepreneurial cultivation in the area.
SCOPE
I designed ERL magazine from the ground up, developing a guidelines package and business plan with the Editor in Chief. A recurring segment format provides a structure that provides a recognizable feature build that readers come to expect. Our focus on promoting local businesses helps sustain an advertising base that sees a symbiotic relationship with our mission.

what made me smarter

  • The Power of Storytelling to Build Community: Through creating ERL, I learned the immense value of storytelling in fostering a sense of pride and connection within a community. By showcasing the people, places, and businesses that make the Elk River region special, we provided a platform for voices and stories that might otherwise go unheard. This taught me how impactful it is to celebrate the character and heart of a place through consistent, meaningful narratives that resonate with its audience.
  • Honoring Local Culture and Economy: The development of recurring segments like The Elk’s Cookbook and The Healthy Elk taught me how to honor the cultural and economic cornerstones of a community. Highlighting local traditions, businesses, and initiatives revealed the importance of focusing on what makes a region unique. It reinforced the idea that supporting and celebrating local businesses is more than a slogan—it’s a vital component of building a thriving, interconnected community.
  • The Strength of Collective Identity: The #elkriverstrong initiative underscored the importance of unity and collective identity in both good times and challenging ones. I learned how a simple yet powerful symbol of togetherness can inspire a community to support one another and strive for a stronger future. This experience showed me the value of creating platforms that not only reflect a community’s spirit but also actively contribute to its growth and resilience.

The driving goal is to instill a sense of pride of place by providing a platform - a mirror to reflect the character and culture of the area.

ERL’s philosophy is to celebrate the people, places, and businesses of the region.

I created a system that relies on feature stories supported by a series of recurring segments that provides consistent and changing content.

Around the Elk features small stories about the area that do not merit "feature" status. They populate the issue with content between other segments.
Trail Mix covers all of the happenings along the Elk River Trail and Waterways. We work in close coordination with the Elk River Trail Foundation and local businesses.
Here vegetable gardening tips as well as canning recipes are shared. From seed preparation to planting to harvesting, we follow the season with readers.
The Reader Submission is dedicated to  a photo from one of our readers. Topics range from nature to personal achievements to art.
To appreciate the present, this segment provides a window into what has come before. The Elk Reflects picks a moment or topic in history and revisits it.
The Elk's Cookbook taps into a rich tradition of sharing recipes with neighbors. Readers, local farmers, and restaurateurs participate in sharing.
The Elk's Students acknowledges academic and athletic achievements. ERL's Editor takes part in educating local students on the importance of writing.
The Elk River has a long history of writing and poetry, and this segment brings the area's authors current works to the readers' attention.
The Healthy Elk brings local physical therapists and health experts to share topical stories to the readers that promote a balanced life.
"Libraries are more than just stores of books and knowledge. They are the cornerstone of neighborhoods and communities."

The ERL logo is instantly identifiable. The "Mighty Elk" icon symbolizes strength & resiliency of the communities on the River.

The magazine anchor appears at the head of every issue and cross-media advertising and marketing expressions.
Supporting logos & 3-d logo applications are used in promotion and marketing purposes.
Incorporating the elements of the main lockup, the secondary logo is used in instances where a square format is appropriate, per space constraints or visual balance. It is also the recurring logo on the information and legal page of each issue opposite the Editor's Welcome.

The secondary logo, based on elements of the main lockup, is used when a square format better suits space constraints or visual balance. It also appears on the information and legal page of each issue, opposite the Editor's Welcome.

The article body text uses Source Serif Pro at a minimum size of 10 points for readability. Main and feature story headlines are also in Source Serif Pro, while Source Sans Pro is reserved for secondary headlines and additional information where appropriate.
Our stationery and press passes maintain brand cohesiveness and reflect the identity of the magazine.
ERL subscriptions arrive in the 9"x12" envelope that proudly announces "it's here!"

The ERL color palette draws inspiration from the natural hues found in the landscapes surrounding the Elk River area, reflecting its authentic connection to the environment.

ERL relies on its advertisers, showcasing local businesses in every issue to capture readers’ attention and support the local economy.

This supplemental advertiser introduction provides a breakdown of ad sizes available and pricing.

Working on Elk River Living taught me the transformative power of storytelling to foster community pride and connection. By designing the magazine from the ground up and creating recurring segments like The Elk’s Cookbook and Trail Mix, I was able to develop a system that blends consistent formats with dynamic content, showcasing the unique people, places, and businesses of the Elk River region. By emphasizing local culture and economic sustainability, I learned how celebrating traditions and supporting local businesses strengthens community identity and fosters a thriving, interconnected network.

Through initiatives like #elkriverstrong and partnerships with the Elk River Trail Foundation, I saw firsthand how collective identity and shared experiences inspire resilience and growth. Developing ERL deepened my understanding of how design, storytelling, and thoughtful branding—down to the color palette, typography, and instantly recognizable "Mighty Elk" logo—can reflect a region’s character and actively contribute to its cultural and economic vitality. This experience reinforced the importance of creating platforms that not only tell a community’s story but also empower it to write new ones.

ERL

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Silling Architects

Lofts on 5th

Gutted, in a good way

For this adaptive reuse gut renovation in Fernandina Beach, Florida, I designed modern luxury apartments within the historic landmark building  in close coordination with the client and city.

ABOUT
Lofts on 5th is an adaptive reuse project in Fernandina Beach, Florida, converting a historic three-story building into nine luxury condominiums. The design balances modern functionality with respect for the building's 1960s-era character, aligning with historic design guidelines.
SCOPE
The scope included designing floor plans, specifying furniture, fixtures, and equipment, and creating shared amenities like a rooftop terrace with panoramic views. Each unit features premium finishes, including marble countertops, Marvin French doors and windows, and heated bathroom floors, ensuring a blend of luxury and comfort.

what made me smarter

  • Designing for Preservation and Innovation: Working on Lofts on 5th taught me how to balance historic preservation with modern design, ensuring the 1960s-era character of the building was respected while incorporating contemporary functionality. I gained insights into adapting designs to fit both stakeholder needs and regulatory requirements.
  • Refining Luxury Residential Design: I developed expertise in creating high-end residential spaces by designing floor plans, selecting premium materials, and integrating details like a Fry Reglet wall reveal, custom range hood design, and Italian porcelain tile. This experience sharpened my ability to craft spaces that blend luxury with practicality.
  • Navigating Complex Processes: Collaborating with clients, city officials, and the Historic District Committee made me more adept at managing intricate approval processes. It deepened my understanding of how to align diverse perspectives while maintaining a cohesive and compelling design vision.

This project adaptively reuses an existing three-story building, completely renovating the interior to accommodate nine new condOminium units.

Existing exterior site documentation

Lofts on 5th were developed with the approval of the Fernandina Beach Historic Council to comply with the intent of the National Parks Service Historic Design Guidelines to compliment the original character of this 1960’s era building.

Small, cantilevered balconies extend off of the east, south, and west elevations. The wood, aluminum, and glass material palette of the balconies mimic that of the front porch.
The existing front porch was not contextually inappropriate both to the surrounding buildings and the time period in which it was originally constructed; furthermore, it is not ADA accessible. We designed a new, accessible front porch  on the existing foundations that is contemporary while also respectful of the historic district.

I designed floor plans and FFE specifications for the nine new condominiums on three floors.

Renderings showing the living area with a 4" fly reglet that articulates the wall plane and extruded interstitial wall planes that accentuate the Marvin French doors and insulated casement windows and balcony doors.
These built units show the articulated wall plane and fly reglet.
Wolf electric induction cooktop, double oven and drawer microwave. Sub Zero side-by-side refrigerator and under counter wine refrigerator.
Primary bedrooms feature commanding views of Fernandina Beach through Marvin windows, while primary baths have heated floors and frameless glass enclosed showers and elongated toilets.
An amenity is that one of the units is a private, luxury guest loft that features an ADA bathroom and kitchenette. Owners can reserve the loft for up to 7 days consecutively and 8 weeks a year.
Bathrooms have Duravit Vero sink basins that sit on a marble slab with under-cabinets. Marvin windows with horizontal mullions that flood the space with natural light.
Primary bedrooms feature commanding views of Fernandina Beach through Marvin windows, while primary baths have heated floors and frameless glass enclosed showers and elongated toilets.
The rooftop terrace is perfectly positioned to take in the historic structures of downtown Fernandina and  watch the sunset over the intercoastal.
The main rooftop area is open to all residents of the building. A covered kitchenette and seating area is open to the living roof garden and terrace with landscape lighting and views of Fernandina Beach and the inter coastal waterway.
The owners of the three top floor units have access to their own private rooftop spaces. These areas are delineated by horizontal wood slat fencing.

HERE'S a video of the client discussing the project.

Working on Lofts on 5th, I lead an effort in the adaptive reuse of a historic three-story building in Fernandina Beach, Florida, transforming it into nine modern luxury condominiums. I collaborated closely with the client, city officials, and the Historic District Committee to balance the building’s 1960s-era character with contemporary functionality. This experience sharpened my skills in designing high-end residential spaces, including floor plans, premium finishes like marble countertops, Marvin French doors and windows, and heated bathroom floors, ensuring a blend of luxury and comfort. I also learned to navigate complex approval processes, align diverse stakeholder needs, and integrate historic preservation with modern design to create timeless, functional spaces.

LOFTS on 5th

(4)

Prophet

Mack Weldon HQ

Diagramming the brand

Mack Weldon needed a new corporate headquarters of the men’s apparel and lifestyle brand that echoes the clothing line’s own sensibility -- modern, sophisticated, yet playful.

ABOUT
Mack Weldon needed a new corporate headquarters of the popular men’s apparel and lifestyle brand that echoes the clothing line’s own sensibility -- modern, sophisticated, yet playful.
SCOPE
Through diagrammatic exploration and modeling, I developed several schemes resulting in a combination hybrid that met the clients’ expansion needs. The gut renovation features custom trapezoidal multi-purpose tables, workspaces for designers and tech staff, and a pop-up retail display space.

what made me smarter

  • The Importance of Storytelling in Design: Developing Litstone taught me that a meaningful narrative—rooted in both Ioannis' memories and the natural origins of our stones—resonates with clients and adds lasting value to our work.
  • Balancing Tradition with Innovation: Blending traditional craftsmanship with contemporary design taught me how to create pieces that are timeless yet relevant, bridging the gap between art, function, and environmental responsibility.
  • Adaptability in Creative Processes: Working with natural materials and minimizing waste taught me the importance of adaptability in design—finding innovative ways to work with what’s available and transforming challenges into unique design opportunities.
Mack Weldon’s highly collaborative, informal office culture inspired me to conceptualize a space that accommodates a range of functions, incorporating open common areas and enclosed meeting rooms.

The new location at Broadway and 29th provided more than double the existing office space.

The floor plan for the new space is a chamfered "L" shape that provides corner views across Broadway.

Through diagrammatic exploration and modeling, I developed several schemes resulting in a combination hybrid program.

Existing office program distribution shown in new location site plan.
The resultant hybrid plan allows for Mack Weldon's fluid work environment to maintain an open space for effective communication while also delineating the square footage for necessary private meeting rooms, a collaborative multi-use space, and kitchenette.

In the Design Development phase, I generated concepts that translate the Mack Weldon brand into a visual manifestation within the space.

I extracted patterns and palettes from Mack Weldon's product line and logo and reinterpreted them in a way that could be introduced to wall surfaces.
I extracted patterns and palettes from Mack Weldon's product line and logo and reinterpreted them in a way that could be introduced to wall surfaces.
This reception area features a neon Mack Weldon logo light that accents the living style seating and floor lamp.
The conference rooms use the bar ceiling lights and polygonal tables to create a dynamic space that incorporates white boards and multi-use wall space. The opaque Mack Weldon logo pattern along the glass allows for privacy while maintaining some level of transparency.
These custom millwork collaborative work tables are situated between the workspace and kitchenette, allowing for breakaway meetings or a place to eat and drink.

Collaborating with Mack Weldon’s leadership and the teams driving their success made it a true pleasure to design a space where they can continue to grow and thrive.

Mack Weldon

(5)

Exploration

Spiked Gumseeds

Rockite is Everything

Using what the New York Times called The Mean Seed of the Sweet Gum as my source material, one ofternoon I decided to embark on a materials study in a Park Slope backyard.

ABOUT
Using what the New York Times called The Mean Seed of the Sweet Gum as my source material, one ofternoon I decided to embark on a materials study in a Park Slope backyard.
SCOPE
With the gum tree providing the seeds, I maintained a natural materials theme in using found twigs as joining components. After the objects were assembled, I dipped them in the Rockite several times, changing the viscosity with successive dips.

what made me smarter

  • The Importance of Storytelling in Design: Developing Litstone taught me that a meaningful narrative—rooted in both Ioannis' memories and the natural origins of our stones—resonates with clients and adds lasting value to our work.
  • Balancing Tradition with Innovation: Blending traditional craftsmanship with contemporary design taught me how to create pieces that are timeless yet relevant, bridging the gap between art, function, and environmental responsibility.
  • Adaptability in Creative Processes: Working with natural materials and minimizing waste taught me the importance of adaptability in design—finding innovative ways to work with what’s available and transforming challenges into unique design opportunities.

Different forms were created - some cubic, some sputnik, some trapezoidal.

Pre-dipping forms and connections.

The final objects were interesting to look at, and reminded me of chemistry model kits. Successive dips in the rockite would structurally reinforce them, but at the loss of seed texture definition.

If the mixture of Rockite was too thick, I lost definition of the gum ball spikes; if it was too thin, it would not properly coat the structure.
Placing the decaying log in a plastic tray laid the foundation for a sculpting project to transform it into a planter.

These afternoon ad-hoc casting sessions allow me to satisfy the urge to create something tangible and engage my mind in a way that always produces unforeseen connections.

Gumseeds

(6)

Objects you want to touch

Litstone
From the mountain that cuts straight into the Aegean, Pelio, we procure river-battered stones that we painstakingly transform into functional art.

The [customer] journey is real

Chopt
As part of Chopt's store and brand transformation, I led the charge in designing and modeling physical and brand components of the new restaurant layouts.

This river tells stories

Elk River Living
I designed ERL magazine from the ground up, giving a voice to the people and businesses of this region in West Virginia, with a strong emphasis on cultural contributions and entrepreneurial cultivation.

Gutted, in a good way

Lofts on 5th
For this adaptive reuse gut renovation in Fernandina Beach, Florida, I designed modern luxury apartments within the historic landmark building  in close coordination with the client and city.

Diagramming the brand

Mack Weldon
Mack Weldon needed a new corporate headquarters of the men’s apparel and lifestyle brand that echoes the clothing line’s own sensibility -- modern, sophisticated, yet playful.

Rockite is everything

Spiked Gumballs
Using what the New York Times called The Mean Seed of the Sweet Gum as my source material, one ofternoon I decided to embark on a materials study in a Park Slope backyard.

Selected

(6)

Projects

Ukraine Aid Project: Fashion meets NFTs for relief

Проект «Допомога Україні».

There's a landscape in anything if you look close enough

Schematic study

Water bag gauntlet: petty and impractical

Installation

Conflict Resolution Center: Can we do this outta court?

Thesis

Parker Residence: Mosaic House FTW

Parker Residence

Bachelor Residence: seasonal residence for the untethered

Bachelor's Residence
I design
to see
the possibilities
All projects
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some works by

JOSH TAWNEY

I am a creative designer in New York City who has produced work that is multi-disciplinary in both scope and scale across different fields, from architecture and assembled environments to brand strategizing to publishing.
I design at the intersection of architecture, art, branding, and publishing.
Some selected works:

LITSTONE

objects you want to touch

Project 1

CHOPT REIMAGINATION

the (customer) journey is real

Project 2

ELK RIVER LIVING

this river tells stories

Project 3

LOFTS ON 5th

Gutted, in a good way

Project 4

mack weldon hq

Diagramming the brand

Project 5

spiked gumseeds

rockite is everything

Project 6
(View CV)
(PDF)

hERE IS MY portfolio (.PDF/9.2mb)

Joshua Tawney portfolio cover page image
Let's take a look
Works by JMT
JMT WORKS
2024

Litstone

From the mountain that cuts straight into the Aegean, Pelio, we procure river-battered stones that we painstakingly transform into functional art.

Project 1
see some more
2018

Chopt Creative Salad Company

As part of Chopt's store and brand transformation, I led the charge in designing and modeling physical and brand components of the new restaurant layouts.

Project 2
see some more
2018

Elk River Living

I designed ERL magazine from the ground up, giving a voice to the people and businesses of this region in West Virginia, with a strong emphasis on cultural contributions and entrepreneurial cultivation.

Project 3
see some more
2018

Lofts on 5th

For this adaptive reuse gut renovation in Fernandina Beach, Florida, I designed modern luxury apartments within the historic landmark building  in close coordination with the client and city.

Project 4
see some more
2018

Mack Weldon Headquarters

Mack Weldon needed a new corporate headquarters of the men’s apparel and lifestyle brand that echoes the clothing line’s own sensibility -- modern, sophisticated, yet playful.

Project 5
see some more
2020

Sweet Gumseeds + Rockite

Using what the New York Times called The Mean Seed of the Sweet Gum as my source material, one ofternoon I decided to embark on a materials study in a Park Slope backyard.

Project 6
see some more

Objects you want to touch

The [customer] journey is real

This river tells stories

Gutted, in a good way

Diagramming the brand

Rockite is everything

CV
Portfolio PDF
(email)
IG
LinkedIn

I am always interested in opportunities to collaborate. shoot me a message.

at a glance

(12)

PROJECTS

Bookstore legacy

Greenlight Bookstore

This beloved Fort Greene bookstore opens a new location in Prospect Lefferts Garden.

hk street food meets gowanus

Hey Hey Canteen

A new look and image for this Hong Kong street food inspired casual eatery.

reappropriated barn to zen

Meditation Retreat

This original barn structure is re-appropriated into a meditation destination in the Finger Lakes.

BUT I wanna go this way

Operable Wall System

A laser-cut plexiglass concept model exploring the fluidity of an inhabited space.

Carroll gardens GUT RENO

Sackett St. Residence

The under-staircase reading nook for the children of the clients in the Carroll Gardens renovation.

if you know me

Red Balloon

The red balloon represents many characteristics that I find stimulating, such as helium, fragility, & polymers.

TECH. WE NEED TECH.

Arby's Drive Thru Study

I explored concepts to meet Arby's needs in folding more technology into the diner's experience.

Fundraising for ukraine

NFT Collaborative Exploration

This initiative is the product of Rafael Jimenez (Plan 8) and Venya Brykalin (Vogue Ukraine), and Josh Tawney.

MORE ROOM FOR JUSTICE

Spartanburg Judicial Center

This growing city needed a new judicial complex to address their aging facilities.

MERGE, RINSE, COMBINE

Encompass Health

I was the designer lead on signage and related aspects of Encompass Health's new guidelines package.

carroll gardens gut reno

Sackett St. Residence

The steel and glass back wall that leads from the renovated kitchen into the back yard.

blm poster for wv

Black Lives Matter

A poster I designed for the West Virginia chapter of the BLM movement.

connect with me and let's talk about it.

I love designing when there are minds in the room drawing on experiences that I may never have considered.

Hey, Josh -
JMT logo

JOSHUA MATTHEW TAWNEY